Transport · Navigation
live: — —
Sections & motion · order
sections — tap to include
motion (choose one)
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sustain anchor notes are always on — pull the sustain fader to 0 in Volumes to silence them
all · linear
architecture · per level
pre / post · r-values
main · r-values
melody · a-values
omega · the circle
the wheel's succession — the canon underneath always keeps the squaring order
Pitch · range · tempo
1 :
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Goncharova configurations
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Quadruples of residues mod p (p=4k+1). Each of the 11 graph types sounds as a four-voice chord (the four residues); every pair whose difference is a quadratic residue adds a faint "glue" voice — so the lattice of agreeing differences is audible, and each type sounds distinct. In memory of Lydia Goncharova.
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Chord order follows the QR-rhythm of the trigger position: at a residue position chords climb low→high; at a non-residue they fall high→low. ⇅ and the global reverse flip it.
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trigger chords from these voices (choose any):
1/2 beat
1 beat
steps: 1/16 … 1/2, then 1, 2, 3 … 32 beats (short → long)
Level & solo for these chords = the chord (Γ) row in Volumes; the glue voices = the glue row.
Volumes · sends · instruments
one full fader per voice — the tabs below switch what every fader drives (volume · reverb send · timbre · pan · vibrato). Each voice also picks its instrument.
reverb independent of volume
Slayerinstvolume
Groove · beatmaker
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dance skeleton is fixed first; QR/Fibonacci lanes add ghosts, fills and colour. Lanes step together on the felt 16th grid; each consumes its OWN cycle: χ has p−1 steps, F has the full Pisano period π(p) — e.g. π(7)=16, π(13)=28, π(19)=18, π(37)=76. Toms and bass take their pitch from the F-value through the engine's untouched pitch map, octave-folded into their registers. Every lane fader is LIVE on the beat's own bus; clap and crash are the floor's backbeat and the Pisano-zero cymbal. With floor 4/4 on, the bass keeps off the kick slots.
Advanced

p/n sustain anchors

Pre / Post — direct & reversed

offset applies to the reversed (post-side) stream in structural motion converge modes
negative = b first, positive = b after a; up to one beat

QR-DSP

Scenes
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Save the current full setup as a scene (kept while this tab is open). Export all scenes to a file to keep them between sessions; import to restore.
no scenes yet
Session
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Record a live improvisation: every structural change (p, sections, motion, graph, triggers, direction) becomes a scene-segment with its own duration. Stop, then edit the list — delete steps, change durations, update a step's settings, or add scenes by hand. ▶ plays the whole thing.
empty — record, or add scenes below
Improviser learning
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Self-learning controller: learns weighted tendencies from session JSON files and generates the next scene from the current state. Pre-seeded; import more sessions to retrain. It also evolves the per-note modulation depth.
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form s
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35%
45%
62%
prime-life compares QR/NQR fingerprints of primes, mod-4 families and prime gaps, then bends every captured parameter: p/r, sections, motion, order, pitch, gliss, volumes, sends, brightness, Goncharova chords, modulation and scene duration.
model ready
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scroll = stretch time axis · drag to pan · ⛶ fullscreen